A sound artist who uses listening as a way to explore how we relate to materials, spaces, and one another. His practice creates situations where sound becomes a tool for investigation, shifting perception and attention to make new forms of knowledge and collective awareness possible.
At DIAGE he brings Le Slie’s, a self-built instrument inspired by the Leslie speaker, as both performance and installation: spinning metal discs are struck by a mechanism to make sound, while light makes their movement visible. The same physical system can move from clearly separate sound events to a dense texture where no single source can be picked out.
With support from Pro Helvetia.